Showing posts with label DJ PReMieR. Show all posts
Showing posts with label DJ PReMieR. Show all posts

Saturday, February 23, 2019

KRS-One`s "Return Of The Boom Bap [HeRBaN DeLuXe VeRSioN]"...



“Return Of The Boom Bap”……Ahhhhhhhh mannnnnn! What should I say about this album? Aside from the fact that it’s still my favorite KRS-One album to this day? Aside from the fact that I still have the cassette over at my parents’ crib? Copped it thru one of those music clubs back in the day; you know Columbia House, BMG music, etc. I actually gotta BiG uP those music clubs because I was able to experience a whole lot of Hip Hop thru the memberships that I had with ‘em when I was 13 & didn’t have a large grip of dough to spend. Copped plenty of albums at reasonable prices, cassettes at first because I hadn’t yet moved onto CDs until a bit later in the game. The only thing that I wasn’t a fan of was when ya had to buy the required amount of CDs or tapes at their full price because their prices were quite high especially with their shipping costs, but that’s another story for another day. So anyway that’s how I was able to get my hands on the “Return Of The Boom Bap” tape amongst many others & once I slapped that tape into my Sony Walkman I played the hell out of it thru~out my high school years! I was feeling a little nostalgic a few weeks ago so I actually dug out the album from one of my many boxes of CDs & decided to dust it off. While giving it a listen thru that’s when I got to wondering why hasn’t this album been re~released with some bonus cuts? It’s definitely worthy of such a release, so I said fuck it & decided that I’d put together one of my web~famous HeRBaN DeLuXe VeRSioNs & this here is what I came up with…


Originally this great gem of an album was released in 1993 thru Jive & it included 14 tracks in total, with production handled by the likes of DJ Premier (6 tracks), Norty Cotto (1 track), Kid Capri (2 tracks), Showbiz (1 track) & even KRS-One (5 tracks) himself. So at just under 56 minutes in length, it left me enough room to add another 6 tracks to complete this HeRBaN DeLuXe VeRSioN (I`m Old School so I try to keep these H.D.V`s under 80 minutes so they can still fit onto a CD if one so chooses to burn it onto a disc). The first song that I decided to add is “Hip Hop vs. Rap”, a tune that in all honesty should`ve been on the retail release of “Return Of The Boom Bap” anyway. The next selection was a no~brainer really, “Outta Here [Original Demo Version]”, definitely worth the listen for the Mr. Magic DiSS alone. It was kind of hard to find a track to follow that almost lost piece of Hip Hop history, but I think I made the right choice with “Sound Of Da Police [Rmx]”. After that I hit the 12 inch singles for “Return Of The Boom Bap [Iron Lion Rmx]” & “Mortal Thought [Kenny Parker Rmx]” respectively. “Hip Hop vs. Rap [Spinbad Blend]” closes out the album very nicely. Now for some reason unbeknownst to any true Hip Hop head you haven`t heard this album before, let me break down exactly what you`re in for…






“KRS-One Attacks” opens up things & gives the listeners a glimpse of what to expect. KRS doesn`t actually spit anything on this, it serves as more of an intro. The way DJ Premier cuts the various KRS-One samples to create it is simply awesome. “Outta Here”, which I believe was the album’s first single, was produced by DJ Premier. Over the simplistic, but very hard beat KRS-One kicks some tales of Hip Hop History as only the teacha could. What’s DoPe about it is how he does it in such a way that it`s pretty much first~person perspective because…well, he was a crucial part of the history & it`s kind of awesome to see things from that side of the fence. The self~produced “Black Cop”, which was previously released on the “CB4 Soundtrack”, rocks a simple yet effective enough loop for KRS to get his points across. DJ Premier shows up once again to handle the production on “Mortal Thought” & provides a nice jazzy backdrop for KRS-One to flex his lyrical braggadocio mic rockin’ rhymes over…





The KRS/Premier collaborating continues, but this time they both handle the production on “I Can’t Wake Up”. This song could be taken 2 ways; a lot of folks take it as an anti~Weed smokin’ tune, but I think that it should be interpreted as a dream that KRS-One probably had after indulging in a few blunts himself. I mean c’mon, he’s a blunt being passed around & smoked by a who’s~who of Hip Hop (at the time). Either way you take it though, it’s a good concept record worth the listen so don’t sleep! “Slap Them Up” features a little uncredited intro by DJ Premier & some uncredited raps from Ill Will. The beat was produced by Latin House producer Norty Cotto & co-produced by Douglas Jones. To be honest I`m not really familiar with either one of these producers, but they sure gave KRS a nice backin` for his rhyme flexin`. Now the Showbiz produced “Sound Of Da Police” should need no introduction, I mean c’mon it’s featured in the 2016 animated “The Angry Birds Movie” for cryin’ out loud. My son was singing the hook of this tune at 4 years old because of said movie….LoL, both Showbiz & KRS must`ve seen some nice residuals off that song placement, anyway this was the album`s second single. The head~nodding beat & catchy chorus will definitely hook your ear, but it’s the lyrics that you really need to hear. I’d quote some, but honestly you truly need to hear them over the beat to do `em justice. Trust me you won’t be disappointed at all!!!





“Mad Crew” is a self-produced joint that’s sure to get ya` head noddin’, Boom Bapp`N Hip Hop indeed. The simplistic beatboxin’ backdrop on “Uh Oh” is almost the perfect backing for KRS’s reggae~vibed storytelling, another self-produced joint. “Brown Skin Woman” is the Blastmaster’s ode to well just that, Kid Capri provided the smooth production on this one. “Return Of The Boom Bap” is another joint that KRS-One produced himself. Some folks out there may remember hearing the DJ Premier produced “P Is Still Free” while they were listening to the “Menace II Society Soundtrack”, which was also released in 1993. Something interesting to note; if you actually take a look at that tracklist the song’s credited to Boogie Down Productions. So does that make it the last official BDP song? Or did someone at Jive just fuck up?? Someone out there on the Internet knows, feel free to school me…



Kid Capri takes on double duties on the Jazzy~vibed “Stop Frontin`” as producer & guest emcee, he handles both very well I`d have to say. “Higher Level” is some great funkdafied spiritual Hip Hop, produced by DJ Premier. This song is the closer on the original album release & honestly I have to say that it’s a great way to end such an awesome album. Still as a KRS fan I can’t lie, I was always just a little disappointed in the fact that “Hip Hop vs. Rap”, the B-Side of the album`s first single, was never included as part of the album. So naturally that was my first choice when it came to the songs that I chose to add to this HeRBaN DeLuXe VeRSioN. The song’s produced by both KRS-One & Kenny Parker, definitely something you just need to hear on your own, my words probably wouldn’t do it enough justice…






Next in the added bonus joints is the “Outta Here [Original Demo Version]”. Unfortunately the sound quality isn’t that great, sounds like a cassette rip & the song itself sounds like it was dubbed from a radio show. So maybe it’s not actually a demo, but an alternate radio version, because the song is censored, has the same beat pretty much, but it also contains a few Mister Magic DiSSeS that don’t appear on the retail album version of the same song. I’m not sure of the source of the file so I couldn’t tell you, either way though it’s definitely something worth listening to just for the historic value of it. The “Sound Of Da Police [Rmx]” comes with a nice thumpin` beat that Kenny Parker produced, it’s DoPe but I’m still kind of partial to the way Showbiz rocked the original album version myself. Regardless it’s a great song & that’s why I added it…



The “Return Of The Boom Bap [Iron Lion Rmx]” comes from the 12 inch single released in 1994 & features Mad Lion. It has a nice Reggae vibe to it & I believe that Mad Lion was the one to produce the track, couldn’t find any production credit on the track so feel free to school me if I’m wrong. The “Mortal Thought [Kenny Parker Rmx]” is another joint off that “Return Of The Boom Bap” 12 inch single. It’s ok, but doesn’t compare to the original version, Premier just rocked it more, my opinion of course. Still plenty of heads dig the tune, I think the reason that I don’t dig it as much is because it’s censored & well Premier didn’t do it….LoL, anyway “Hip Hop vs. Rap [Spinbad Blend]” closes out things here. DJ Spinbad does a great job blending in various beats to match KRS’s lyrics. I think this was featured on a mixtape or something, to be completely honest I’m not sure of its source. So there ya have it, did I do the album some justice with the added tracks? Is there something else that should have included? Feel free to leave some comments…





Released: 1993-2018



1. KRS-One Attacks
2. Outta Here
3. Black Cop
4. Mortal Thought
5. I Can`t Wake Up
6. Slap Them Up {ft. Ill Will}
7. Sound Of Da Police
8. Mad Crew
9. Uh Oh!
10. Brown Skin Woman
11. Return Of The Boom Bap
12. P Is Still Free
13. Stop Frontin` {ft. Kid Capri}
14. Higher Level
15. Hip Hop vs. Rap
16. Outta Here [Original Demo Version]
17. Sound Of Da Police [Rmx]
18. Return Of The Boom Bap [Iron Lion Rmx] {ft. Mad Lion}
19. Mortal Thought [Kenny Parker Rmx]
20. Hip Hop vs. Rap [Spinbad Blend]













N`JoY...

Thursday, October 03, 2013

AZ`s "L.O.D.B. (LaST Of A DYiNG BReeD) MiXTaPe"...

To me AZ has always been an emcee that hasn`t received the ReSPeCT that he truly deserves! Especially after he dropped one of the iLLeST introductory verses EVER on "Life`s A Bitch" from Nas` classic debut album "Illmatic" back in 1994. A year later he dropped his debut album titled "Doe Or Die", it didn`t do well sales~wise but to most critics it was a great album. He followed his debut up with the 1998 album titled "Pieces Of A Man" which was pretty much a commercial disappointment. It was on point lyrically, but the beats that were mostly provided by the Trackmasters just didn`t really do AZ`s bars any justice. Fast~forward 15 years later (& plenty albums both major label & independently released) even though he`s remained the underdog lyricist he`s still rockin` the mic & is actually workin` on "Doe Or Die 2" the sequel to his debut album. He`s lookin` to cook up a gem of an album too seein` as how this may be his last, so he`s reached out to a good list of producers. Some kats on that list include; L.E.S., DR Period, Pete Rock, Statik Selektah, Buckwild & Baby Paul of Da Beatminerz fame...





To tide his fans over until his 9th studio album "D.O.D. 2" drops he has put together the mixtape that`s hosted by DJ Mr. FX titled "L.O.D.B. (Last Of A Dying Breed)". It features a few new joints, some unreleased joints & plenty of older joints that most of his fans should recognize. After the mixtape`s lil` intro things open up with "We Movin`" which is one of the newer tracks that`s off "D.O.D. 2" produced by Statik Selektah. It`s a solid joint that shows us that AZ hasn`t lost a step lyrically;


"They keep askin` how is his shine lastin`?
I`m too ahead of my time to be a has~been"...


 Now I`m not going to review this mixtape track by track because I`m running a lil` short on time, but I will tell ya that between the newer joints, the unreleased joints & the previously released joints you`re definitely in for a good listen so go `head & check it out for ya`self! Oh yeah something to note, the original mixtape had only 21 tracks but the version I posted here has 22 on it. There`s no bonus cuts though, all I did was separate the lil` interlude that was before the "`86 [Rmx]" & made it it`s own track so that way you can get right into the "`86 [Rmx]" without any delays by skipping over the lil` interlude since it`s nothing spectacular anyway. Go on & enjoy...







Released: 2013
Label: N/A



1. L.O.D.B. [Intro]
2. We Movin`
3. Interlude
4. `86 [Rmx] {ft. Raekwon & Altrina Renee}
5. Body Rock {ft. Twista & Dwele}
6. Thank You {ft. DJ Doo Wop}
7. Go Getta {ft. Ray J}
8. Life On The Line {ft. Jimi Kendrixx}
9. Royal Salute
10. Professional Style {ft. Alchemist}
11. The Format {ft. DJ Premier}
12. Exhibit AZ
13. Make Believe
14. How Ya Livin`? {ft. Nas}
15. Gimme Yours {ft. Nas}
16. Rather Unique {ft. Pete Rock}
17. Life`s A Bitch {ft. Nas}
18. Firm Biz [Rmx]
19. Firm Biz
20. Superstar
21. Magic Hour {ft. CL Smooth}
22. Doin` That {ft. Jha Jha}




 
 





A few of the tracks featured on this mixtape:










N`JoY...

Monday, August 13, 2012

WaiS P`s "PReMo PiMPiN`"...

What`s up y`all? Got some ish from Wais P to share with y`all today. Now I have heard a few joints from Wais P over the last couple of years, mainly tracks he`s done with producer D-Dot -- but I had no clue that homie is a member of Da Ranjahz. Y`all may remember them from the DoPe DJ Premier produced "Insp Her Ation" joint that also featured Cee-Lo of Goodie Mob fame...





Da Ranjahz (Haph Dead & Wais) are from the same Crown Heights, Brooklyn `hood as Jay-Z & they just happen to know Damon Dash quite well. So it`s no surprise that at one point they were affiliated with the Carter Faculty which was a management company that was under Roc-A-Fella Records. While they were affiliated with the Roc not a whole lot materialize, there was some internal beef with their manager B-High & Damon Dash so as a result they were pushed to the back burner -- as is the story of so many iLL emcees...



Since things didn`t work out with the Roc Da Ranjahz decided to go the independent route & released their debut album titled "Who Feels It Knows" in 2003. Unfortunately things between Wais & Haph started to sour, some personal ish...so now they`re on the solo tip. After that Wais` hustle got a lil` different, he started managing escorts & dancers on some pimp ish like a New York Too $hort......LoL, except this kat is wayyyyyyy more lyrical than $hort Dog. Anyway let`s get to the music shall we? What I have for y`all to check out it a short lil` almost EP like freebie from Wais P titled "Premo Pimpin`". What you get is Wais P spittin` some of that pimpin` flow over beats produced by DJ Premier, sure it`s only 6 tracks & 5 skits but trust me the ish is DoPe...




Label: N/A
Released: 2012



1. Competition [Skit]
2. Multiple Sclerosis
3. Premo Fresh [Skit]
4. Money In The Yard
5. Some Of The Best [Skit]
6. Lessons
7. Premo Still Prevail [Skit]
8. Come Back To Collect
9. When The Cops Come (Snitch Bitch)
10. Trill O.G. Bun B [Skit]
11. Amphitheater














Here`s a DoPe interview with Wais P from allhiphop.com, the ish was all jumbled so I decided to space it all out for y`all...




AllHipHop.com:
How did you end up on Roc-A-Fella Records? Did you like working with the Roc?

Wais:
We were there from the beginning. We were there when the Roc was a pebble and the records used to come to Jay’s house. It’s bigger than music with us. I still go to Thanksgiving and Christmas dinners with Jay’s aunt in Brooklyn. It’s a family thing. We were around from the beginning. And we were managed by a guy named B-High like, “I be high.” He was also managing Memphis Bleek at the time. At this moment, we don’t work together, but for right now I’m doing me. But that’s my mans.

AllHipHop.com:
What was the Carter Faculty and what really happened to make it collapse?

Wais:
Damon and Jay wanted us to be on Roc-A-Fella Records. They wanted us to be the Mobb Deep of Roc-A-Fella Records. B-High and Damon didn’t get along. A lot of people didn’t get along with Damon. B-High had two artists. He had Memphis Bleek and he had us. B-High was like, “I can’t have Da Ranjahz because I don’t like Damon Dash. I’m still cool with Jay, so Jay helped me start another company so I can put these cats out.” It was another venture. Bad management made it collapse. They didn’t know what it took to run your own company. I think that at the time, they didn’t know that it took so much responsibility. [When running your own record label], let me use this metaphor, it’s kind of like a car, you have to have all your pistons hitting at the same. You have to have all your business hitting at the same time. When the album is ready, you have to have your records spinning.

AllHipHop.com:
What did that do your career?

Wais:
It did more to my personal relationships because it separated us. We felt like we had to drive our own shift. Sometimes in this business the friendship becomes a marriage. When we divorced the company, we divorced the people. We had to go do our own thing.

AllHipHop.com:
Was that the initial push to make you move towards working independently?

Wais:
I would say that was the initial push because I heard Seinfeld say one day I want to write my own jokes and one day have a show base d on my own life because I never wanted to fail and say, “Oh, I failed because of that guy over in the corner.” I wanted to win or lose, and if it didn’t pop, it was on me. That’s the way we felt and that’s why were moving forward. I think it was a blessing in disguise. Some of the cats he had under his belt aren’t relevant to the 13-14 year old listener. When your run is done, it’s done. Whoever was under their umbrella at that time.

AllHipHop.com:
What’s the difference between being on a major label and working independently?

Wais: 
Things aren’t being done for you. Every artist, really, at the end of the day wants to focus on their music. That’s your biggest headache, that’s your biggest job. You want to go in and do music. Let the executives do all that other funky shit. The music is always pure. It’s the business of music is when shit gets funky, ya dig? Every artist wants to focus on their music and That’s one of the pros of being on a major label if you’re on a good one. It’s all about if they’re focusing on you. A lot of major record labels are throwing tomatoes at the wall. You got people who are supposed to be doing things but aren’t doing them. You can get mixed up in a major label. One of the pros about being independent, you can make all your own moves. You’re dealing with the radio DJ`s and the personalities, you’re dealing with everyone. It’s tough getting those doors open. I’m having fun with it right now. I’m in control with all of my finances. I’m doing what the fuck I want to do. I’ve got Devin the Dude on my project. I know what I spent. I’m flying him in, paying for his hotel, everything. I’ve got accountability on everything. It’s expensive, but it feels good.

AllHipHop.com:
What did it feel like to finally release your own debut album?

Wais: 
At that time, as Da Ranjahz, there wasn’t an album. We just put out a mixtape to let people know were still here. We did a video and record with Cee-Lo right before Gnarls Barkley took off [Editor’s Note: The album Who Feels It Knows released in 2003]. But we had a different investor for that. The people distributing our mixtape stopped funding the project. This is what’s in store for my release coming soon. What’s happens as you go through life, you grow as a person. You understand? When I started off, I was 16-17 selling to stay afloat, that’s what you rapping about. Since I was growing, my hustle got different. Why not put our lives as they are right now because that’s what people feel. You gotta put that new script into the music so people can feel you. So when it’s real, they feel you. And since I left the game, I’ve been managing dancers and escorts in the streets on some pimpin’ in the streets. So that’s what I’ve been fucking with. Haph is a musical genius. He’s been teaching himself piano and guitar. Kinda like an Andre 3000 cat. He’s really musical, man. So he said, “Let’s branch off and do some solo projects. You really living that pimp life and you need to put an album together about that and you from New York and you can really rap.” I thought it was a good angle and a good marketing tool. I had the most fun getting on this shit and telling the truth. The name of the album is tentatively titled K. PoNY. King Pimp of New York. This is something that has never been done before. Everybody from New York can’t sell crack and everybody can’t be a killer. I mean everybody? The market must be low if everybody got keys? I’m going to be the first one to do it from a different angle.

AllHipHop.com:
Why the illegal business? What happened to you and Haph?

Wais:
We had some things happen you know. But I don’t want to go into too much detail about me but you know… The music business is sporadic. You might get a check for $20,000 in September and you might have to live off that check for three months depending on how popular you are and if you’re working. If you don’t have a relevant record that’s spinning, you don’t have an income. I think 50 Cent said it one time, “You have to create an income to maintain your lifestyle. And do what you have to do but at the same time have room to work and to be where you need to be when people want you to be there, you know things you can’t do when you have a nine-to-five.” When you have a nine-to-five, you have to adhere to a schedule. You have to create an income to support your family. Haph has his connections on what he’s doing and I’ve got my connections to do mine. I mean I’m trying to bring the flair back to the game. That right lingo, that swagger, you know what I mean?

AllHipHop.com:
How did you meet up with D-Dot? What’s it like working with him?

Wais:
When we first started, we all used to work out of Jimmy Henchman’s studio – one of the realest niggas in the game. 50 [Cent] was there. Jay was there. Black Rob used to work out of there. Ras Kass was there. Bleek was working out of there. I could go on and on. And D-Dot used to be in there and he is one of the greatest producers of all time. He used to always tell us that we was the future. I had seen him in the club and I told him I was doing this project and it’s all about pimping and about how it’s never been done before. And his eyes lit up. So then he jumped on it. He’s the one that’s been helping me broker all the deals with the side artists. He gets everything poppin’ for me.

AllHipHop.com:
What kind of sound are you focusing on right now?

Wais:
I got a little bit of everything on there. Strip club records. That New York sound. That slowed down piff style hooks. Scram Jones is a New York producer and he did a hook that’s got slowed down piff hook kind of like what Rick Ross be doing and that’s relevant to right now. But the sound is still very much New York. The album is all about having fun. It’s not about degrading women. It’s all about having fun and it ain’t about killing 30 niggas in a night at the club.




Source: http://allhiphop.com/2007/09/14/where-are-they-now-da-ranjahz/









N`JoY...

Monday, April 11, 2011

Too $HoRT`s "iN The TRuNK" [12 iNCH]...



Some good ol` Too $hort for y`all today, taking it back to 1992 with this post. There`s 2 reasons why I`m sharing this one with y`all. The first one is simple really; I`m a BiG fan of $hort Dog, but I haven`t heard too many of his 12 inch singles. As a young buck all I heard was Too $hort`s albums, you know the cassettes & then later on the CD`s. So when I do come up on a 12 inch of his it`s kind of iLL for me because I get to hear a few of the more obscure joints. I`m sure that I`m not the only one....LoL, the second reason for sharing this one is because DJ Premier did some production on this single, a fact that may be surprising to some of y`all HiP HoP heads...


On the production side of things Ant Banks, DJ Premier, Pee Wee & even Too $hort deliver some decent bump`N beats. The only track on this 12 inch that I had heard previously was the Too $hort produced "In The Trunk" since it`s from his 1992 album "Shorty The Pimp". I actually enjoy the LP Version more than Ant Banks` "Trunk O` Funk Mix", but Bank`s version is still on the funky tip. One thing that I noticed, on the label of the 12 inch it lists Ant Banks as the producer of the "In The Trunk [Glove Compartment Street Mix]", while DJ Premier is the producer of the Radio Mix & Instrumental. My guess is that it`s a simple mistake & DJ Premier should`ve been given credit for the Street Mix. Another great thing about this single is that you also get "I Ain`t Nothin` But A Dog [Live Rmx]", it`s a bit on the obscure side -- at least to me it is....LoL, anyways that`s enough ramblin` go on & check the music out...











Label: Jive 
Released: 1992



A1. In The Trunk [Trunk O` Funk Mix] (Prod. by Ant Banks)
A2. In The Trunk [LP Version] (Prod. by Too $hort)
A3. In The Trunk [Glove Compartment Street Mix] (Prod. by DJ Premier)
A4. In The Trunk [LP Instr.]
B1. In The Trunk [Radio Mix] (Prod. by Ant Banks)
B2. In The Trunk [Glove Compartment Radio Mix] (Prod. by DJ Premier)
B3. In The Trunk [Glove Compartment Instr.] (Prod. by DJ Premier)
B4. I Ain`t Nothin` But A Dog [Live Rmx] (Prod. by Pee Wee)




















N`JoY...