Showing posts with label WC. Show all posts
Showing posts with label WC. Show all posts

Sunday, January 25, 2015

CooLiO`s "iT TaKeS A THieF [HeRBaN DeLuXe VeRSioN]"...

Sadly this legend is no longer with us, he passed away September 28, 2022 R.I.P. Coolio! Links have been updated...
 
 
 




I hope y`all have been having a good start to the new year so far! Mine has been alright, I won`t complain. Anyway, I have another album to share with ya that I decided to give the ol` HeRBaN DeLuXe treatment to. I actually had this album put together before the end of 2014 & forgot about it because I had misplaced it in a different folder on my PC. Well I just so happened to stumble across it a few days ago & figured that it was about time to share it with y`all. So without any more waiting let`s get down to it shall we? So the album in question is Coolio`s 1994 debut titled "It Takes A Thief" which was released by Tommy Boy Records. Folks may clown him now~a~days because of his TV appearances & well that lil` video he did with PornHub didn`t help his case either, but early on in his career his music was pretty DaMn good -- at least his first 3 albums anyway (this is of course my opinion)...

Now if for some reason you never took the 'Fantastic Voyage' with Mr. 'Gangsta`s Paradise' & have no clue about who Coolio is I guess after I laugh a lil` at that corny pun I could school ya real quick. Ha~hah, anyway Coolio reps Compton, California (although he was born in Monessen Pennsylvanian) & first stepped on the scene in 1987 on a Electro style Hip Hop track titled "You`re Gonna Miss Me" by Nu-Skool (which consisted of Coolio & Spoony I believe, if I`m wrong please correct me!). Very few liked this love song overall & it was a flop sales~wise so Nu-Skool recorded another track titled "(I Wanna Know) What Makes You Dance" & released it the following year in 1988. This joint was more on the Bass Music vibe but still has some Electro elements to it. Again it wasn`t anything super spectacular although it was better than their first outing that`s for sure. Then in 1991 he linked up with WC & his group The Maad Circle & landed a feature on their hit single "Dress Code"...






 
Later in that same year, now a member of The Maad Circle, they released their debut album titled "Ain`t A Damn Thang Changed". Coolio was featured on 5 of the album`s tracks; "Back To The Underground", "Behind Closed Doors", "Get Up On That Funk", "You Don`t Work, U Don`t Eat" & the album`s title track "Ain`t A Damn Thang Changed". Then in 1994 Coolio signs a contract with Tommy Boy Records & they release his debut album titled "It Takes A Thief". The album does well, becomes certified Platinum reaching the #8 spot on the Billboard 200 with the help of it`s lead single "Fantastic Voyage". "County Line" & "I Remember", the albums other singles were also minor hits as well. The following year, 1995, Coolio released his best selling album to date "Gangsta`s Paradise", but I`m not going to get into all of that now because I want to focus on his debut so I`ll save that for another post...


With this HeRBaN DeLuXe VeRSioN I mainly just boosted the volume up on a few tracks & added some joints from a few of Coolio`s singles. There`s not really any rare B-sides that he released during that period of time around "It Takes A Thief" so that`s why I just added the 2 remixes of "Fantastic Voyage". Sure wish that there was an uncensored version of that Funk Flex Remix, the Dave Bellochio Mix is decent though. I added the Radio Versions of "County Line" & "Sticky Fingers" because they have alternate lyrics instead of just being censored annoyingly with beeps. The Original Version of "I Remember" is pretty similar to the album version, but there is a slight difference in the beat & honestly I think that they should have just used the Original Version for the album instead because it does sound better. Now let`s get into my thoughts on the album...




The album opens up with it`s lead single "Fantastic Voyage", Coolio puts his twist on the Lakeside`s `80's hit with the same title. It`s a nice funky & danceable joint produced by Dobbs The Wino with Stan "The Guitar Man" Jones rockin` the guitar on the track while G.A.T. a.k.a. Gangstas & Thugs (Snappz, Blue, Drew Baby & Tycco) a singing quartet from Compton, California sings on the hook. It opens the album up on a light~hearted funky party vibe & of course it`s the track that most folks remember the album for because it received a lot of radio & music video play during the time of its release. "County Line" follows with it`s funky vibes provided again by Dobbs The Wino. On this joint Coolio kicks the somewhat humorous tale about his experiences while waiting in the County Line trying to get a check. "Mama, I`m In Love With A Gangsta" features female emcee LeShaun, that`s right before she was 'Doin` It' with Mr. Smith she was rappin` love songs about her locked up gangsta boyfriend with Coolio. The two trade verses back & forth; Coolio rappin` from the perspective of the locked down gangsta while LeShaun plays the role of the down~ass girlfriend on the outside waiting for her man. It`s a decent song as far as love songs with a gangsta twist go, Dobbs The Wino`s beat also helps make this joint a lot more enjoyable with it`s laid~back funky vibe...







"Hand On My Nutsac" is basically a joint for Coolio to flex some braggadocio style lyrics over another Dobbs The Wino beat, it`s alright but nothing that`ll blow your mind. The Reggae influenced "Ghetto Cartoon" follows, it features Junior P. on the hook & is produced by Rashad Coles. Coolio kicks a ghetto tale using famous cartoon characters in the story, similar to Spice 1`s "187 Proof" except without the drug & liquor references. I find it to be entertaining & it gives Coolio a chance to flex some of his storytelling skills. "Smokin` Stix" is produced by Billy Boy & it has Coolio detailing his experience smokin` Stix (Sherm` mixed with embalming fluid & a cigarette). Although I can`t relate to the experience myself I can`t deny that the beat will have your head bobbin` & maybe it`ll even get ya up dancing. Dobbs The Wino handles the production for the somewhat depressing but Jazzy vibes of "Can-O-Corn", a joint that has Coolio speaking on the struggles of growin` up on the poor side of the tracks. Coolio keeps The Maad Circle vibe alive by featuring WC on the Crazy Toones produced "U Know Hoo!", it`s a decent rugged track...

The album`s title track "It Takes A Thief" follows The Maad Circle reunion, CS Coleman provides a great backdrop for Coolio to flex his tales of thievery. This joint is one of my favorites on the album, the storytelling is done well & definitely captures the vibes of thieving. Coolio`s Nu-Skool homie Spoon a.k.a. Spoony even shows up on the track providing background vocals. Dobbs The Wino hits the boards again to provide the beat for the decent sounds of the 'don`t forget where you`ve come from anthem' "Bring Back Something Fo` Da Hood" while Stan "The Guitar Man" Jones handles the Bass G-tar action. Coolio decides to delve into the dark days of his past as a Crack~head with the Dobbs The Wino produced "`N Da Closet" which features G.A.T. providing some of the background vocals. Clinton Sands plays the Bass while Coolio utilizes his lyrics to capture & express the experience that only one that was truly on the pipe could describe. "On My Way To Harlem" is a Jazzy~vibed joint that has Coolio taking a trip out to the East Coast detailing his experiences. It`s a decent joint, I really dig the beat so I don`t mind that the song doesn`t have a hook...

Much to the disappointment of any Onyx fans "Sticky Fingers" isn`t an ode or tribute to Mr. Black Trash, but rather the tales of Coolio`s career as a thief before he was a rapper. It`s a humorous track with a simplistic beat, but overall it`s not too bad. PS of 40 Thevz fame & Billy Boy are featured on "Thought You Knew" another braggadocio joint. All three deliver decent G`d up verses over the bangin` instrumental provided by Dobbs The Wino. The album`s humor continues with "Ugly Bitches" a cautionary tale warning the fellas about the iLLs of linkin` up with women from the ugly side of the tracks. To this day it still makes me laugh whenever I give it a listen, maybe it`s because I used to bump it whenever I was chillin` with my homie Forbes because he was always braggin` about the chicks he was baggin` when most of them came from the side to the tracks I was just referring to in the previous sentence....LoL, "I Remember" closes out the album & features Billy Boy & J-Ro from the Alkaholiks. It`s a nice way to finish off things, each emcee spits verses reminiscing about their childhood over a good & funky beat while it`s hook is sung well by some uncredited artist...






Now on to the bonus treats that I have added to the album, first off is the Funkmaster Flex Remix of "Fantastic Voyage". The only thing that I don`t really like about it is that it`s a censored version, I seriously searched & searched for an uncensored one but unfortunately came up shorter than vertically challenged porn` stars. The horn~infused beat makes for a good backing to Coolio`s flow. The David Bellochio Mix of "Fantastic Voyage" is definitely one of the better remixes out there & yes this one`s the Street Version, the change~ups in the beat help to keep things interesting. As I previously mentioned towards the beginning of this write up the Radio Versions of "County Line" & "Sticky Fingers" were added because they contained alternate lyrics instead of just being censored with annoying beeps or muted silences, so they`re definitely worth a listen. I always respect the artists more when they choose to rewrite their lyrics for the Radio Versions because it just shows that they really want to keep the listeners listening. The last & final song that I added was the Original Version of "I Remember", overall it`s pretty much the same as the version that appears on the original album. The only things that I noticed was that the beat is slightly different, you really need to listen to both tracks side by side to hear it though. The other thing is that the Original is a few seconds longer than the version that`s on the album. Regardless of these small differences though I still prefer the Original Version over the one off the album & feel that they should have just used it instead...

So overall I really think that "It Takes A Thief" is Coolio`s best album, sure "Gangsta`s Paradise" & "My Soul" are decent but I feel that his debut didn`t really feature any forced commercial joints. True there`s "Fantastic Voyage" & even "I Remember", but honestly they come off as natural sounding songs to me whereas on his later albums it seems as though he went out of his way to ensure that he did the commercialized songs. His debut album is more honest with its gangsta sounds & the added humor within Coolio`s lyrics help keep the album from trying to come off as being too hard. At a time when everyone was trying to show out & front about how hardcore they were Coolio wasn`t afraid to kick rhymes that showed that he was just an average kat from the `hood even if it meant talking about a past drug habit that he had overcome. Truthfully whenever I give it a listen I don`t skip over any songs because as a whole I really dig it. The production definitely helps keep the album interesting. Dobbs The Wino did a great job with the majority of the album`s beats since he handled the bulk of it, but even the ones that he didn`t produce are good. So in a nutshell I honestly think that "It Takes A Thief" is a well executed album. I`m sure that there`s some folks out there that will disagree with me & that`s fine. Either way I think you should give this a listen & come up with your own opinion, so check it out...
 
 


Coolio - It Takes A Thief [HeRBaN DeLuXe VeRSioN]
Label: Tommy Boy Records/ BuDD@H BLe$$eD EnT.
Released: 2015 (Originally Released In 1994)



1. Fantastic Voyage [Timber Mix] {ft. G.A.T.}
2. County Line
3. Mama I`m In Love With A Gangsta {ft. LeShaun}
4. Hand On My Nutsac
5. Ghetto Cartoon (Includes Cleo`s Mood) {ft. Junior P.}
6. Smokin` Stix {ft. The Homies}
7. Can-O-Corn {ft. The Homies}
8. U Know Hoo! {ft. WC}
9. It Takes A Thief {ft. Spoon}
10. Bring Back Something Fo` Da Hood {ft. The Homies}
11. `N Da Closet {ft. G.A.T.}
12. On My Way To Harlem
13. Sticky Fingers
14. Thought You Knew {ft. Billy Boy & PS}
15. Ugly Bitches {ft. The Homies}
16. I Remember {ft. Billy Boy & J-Ro}
17. Fantastic Voyage [Funk Master Flex Rmx (Clean Radio Edit)]
18. Fantastic Voyage [Dave Bellochio Street Mix]
19. County Line [Radio Version]
20. Sticky Fingers [Radio Version]
21. I Remember [Original Version] {ft. Billy Boy & J-Ro}























R.i.P. CooLiO...

Wednesday, July 16, 2014

VaRiouS ARTiSTs: "The LaWHouSe ExPeRieNCe VoL. 1"...

Links have been freshly Re~uPP`d!!!






What`s up  y`all? Hope all is great & Life`s treatin` you well! Today I`m dustin` off a compilation album that was released back in 1997 to share with y`all. This compilation joint was put together by the late & superbly great producer/songwriter Laylaw (R.I.P.). For those of you that aren`t familiar with his work he has done production for Above The Law, N.W.A., Eazy-E, Kokane ("Addictive Hip Hop Muzick"), Michel`le (wrote most of her self-titled debut album), Ice Cube, 2Pac ("Strictly 4 My N.I.G.G.A.Z.", "California Love [Rmx]") & E-40 to name a few. It`s safe to say that he`s been puttin` in that work on the West Coast for a long while & has worked with plenty of talented artists. Honestly, I always thought that he was an unofficial member of Above The Law, but apparently that`s not the case at all....LoL, he did release 2 Electro styled singles as a solo artist in the early 1980`s thru his own label Rolex Records. "Monster Rapping" was the first single, released in 1985. It may have been cool for a novelty style record at the time, but by today`s standards not so much. Gotta love that authentic Count Dracula accent... 




 
While "What`s Your Name?" was released in 1986. It`s actually the more enjoyable single of the 2, my opinion of course, 38 years later at that. Honestly after listening to it for the first time tho it was stuck in my head for a week, mainly the hook but overall that joint`s pretty iLL!!!.......LoL, anyway Laylaw was more of a humble kat & preferred to lay low & preferred more to shine on the production side of things. That`s exactly how he eventually ended up rollin` with his homie Dr. Dre over to Ruthless Records landing some production work with Above The Law, while also writing for other artists on the label. `Law also linked up with another producer by the name of D`Maq & the two worked together to produce the entirety of the Los Angles group Anotha Level`s debut album titled "On Another Level" released in 1994 thru Priority Records. The album includes features from Don "Wicked" Jagwarr, Ice Cube & The Pharcyde...
 
 In 1997 Laylaw released this West Coast compilation (the only folks that weren`t reppin` the West on there are Eightball & MJG) titled "The Lawhouse Experience Vol. 1" on his very own label Lawhouse Records. I think if I`m not mistaken that this comp` is the only project that was released thru Lawhouse Records, that is until he decides to drop "Lawhouse Greatest Hitz" which is supposed to be a 3-Disc Box Set. It`s said to feature both released & unreleased music from Ice Cube, 2Pac, DJ Quik, E-40, Above The Law, Eazy-E, MC Ren, Nas, Flo-Rida, Pharcyde, Luniz, Michel’le, Stanley Clarke & George Duke amongst others. As a teen I remember seeing this `97 Lawhouse compilation CD on the shelves at the records stores & wanted to cop it, especially since the featured artists were some of the best from the West. But back then with limited funds as a teen I chose to skip out on it because the price tag was just not all that attractive at $24.99.....LoL, especially when I was able to grab a newer release for $12-15. Fast~forward 15-16 years later I was able to cop this joint for a whole $4.25 so I did (guess it paid off to wait.....hehe~heh!) Anyways let`s get to the music now shall we???
 
 
Now right off the top I have to be honest & say that the Intro, Skits, Interlude & Outro are nothing short of just album filler. Sure there are some aspects of the Phat Freddie skits that are a lil` comical, but really if you don`t hear them you aren`t missing out on anything. Once you get passed that there`s really only 1 joint on this compilation that I didn`t really care for much; L.V.`s "I Just Wanna Play". L.V.`s joint isn`t wack I just find that it`s a lil` out of place since it`s the only R&B flavored joint on this comp`. The rest of the artists on this compilation deliver some pretty decent joints overall, nothing super spectacular but also nothing that`s crazy wack either. Standout tracks for me are the Ras Kass & Xzibit collabo` "Arch Angels", Ice Cube`s "Legal Paper", Kausion`s "Lil` Sumpin`", Phalos` "Phalosmode", K-Dee`s "World Wide" & Da Pharcyde`s "Westcyde 242". Above The Law`s former DJ, Go Mack`s "One Way In" isn`t too shabby either. In conclusion I wouldn`t say that this album`s to die for, but if you`re a fan of the late 1990`s West Coast sound you should give it a listen. So there ya have it y`all now go `head & check it out for ya`self...



If you`re interested in reading a lil` more about Laylaw & his beginings in the Rap world you should peep this interview that he did with Hip Hop DX back in 2011. He talks about his early days, working with Dre, working with Eazy & Ruthless Records, as well as working with 2Pac amongst other interesting ish...





Label: Street Life Records/ Lawhouse Records
Released: 1997



1. Entrance [Intro] {Coolio & Kokane}
2. Arch Angels {Ras Kass ft. Xzibit}
3. Give It Up {W.C.}
4. Legal Paper {Ice Cube}
5. Spank That Ass [Skit] {Phat Freddie}
6. Your Hustle Ain`t On {Ice-T}
7. One Way In {Go Mack}
8. Lil` Sumpin` {Kausion}
9. Drank Break [Skit] {Barney Rubble}
10. Live Yo` Life {The Luniz ft. Dru Down}
11. You Might Get Stuck {Above The Law}
12. Phalosmode {Phalos}
13. Housin` [Interlude] {Eightball & M.J.G.}
14. World Wide {K-Dee}
15. Westcyde 242 {Da Pharcyde}
16. I Just Wanna Play {L.V.}
17. Phat Chance [Skit] {Phat Freddie}
18. Exit [Outro] {Kokane}

























R.i.P. LaYLaW & KMG...

Monday, February 17, 2014

DaZ DiLLiNGeR`s "ReTaLiaTioN, ReVeNGe & GeT BaCK [HeRBaN DeLuXe VeRSioN]"...

Another album gets the HeRBaN DeLuXe VeRSioN treatment, this time around it`s an album that was originally released back in 1998 on the infamous Death Row Records. The album in question is Daz Dillinger`s "Retaliation, Revenge & Get Back", which just happens to be his first solo outing. It`s a pretty decent album in my opinion, I just think that it tends to get over~looked because it was released during a period of time when Death Row Records was basically on it`s last legs. Dre was gone, Snoop was gone, `Pac was murdered & label head Suge Knight was incarcerated. It`s safe to say that things weren`t looking so good for the label, but ya got to give Daz some credit instead of jumpin` ship when all this was happening he decided to take on the role as head producer for the label...


A move of desperation? Maybe so, but I`m thinking that Daz knew that there was still a treasure trove of material left at the Row & he wanted to get his hands on `em. Or maybe he was just trying to keep the label alive because after all he was one of the kats that helped make it as big as it once was. Only Daz really knows for sure, but that`s another story altogether anyway. As for the album Daz was able to oversee the entire project by himself since Suge wasn`t around. Dr. Dre was also absent from the mix so he couldn`t take away any production credits from Daz Dilly. A lot of folks out there mention the fact that some of these songs were probably meant for a second Dogg Pound album seeing as how Kurupt is featured on 4 tracks, it`s a possibility I`m sure. Maybe Daz decided to rescue the tracks from the vaults for his own album seeing as how Kurupt had also left the label when ish began to hit the fan. Either way I`m glad they made his album because they ended up being some of the iLLeR joints on the album...


I guess since Daz was handling most of the production duties (Soopafly co-produced 2 joints) he felt the need to have plenty of his homies featured on the album. Or maybe it was a way for him to complete the album much sooner than he would have if he was doing everything on the solo tip. I`m thinking the latter since the label wasn`t standing on the most stablest of grounds. Daz was probably thinking, "Hey I gotta get this shit out ASAP!" Whatever the case may be it worked out for him because most of the contributions that the featured artists bring to the table compliment the album. Daz sure did a great job when it came to the beats for this project, they definitely bang hard! Some G-Funk at it`s finest, that goes without saying. Something interesting to note about the album`s cover art, it was highly influenced by the Marvin Gaye`s "In Our Lifetime" album cover art...






Now let`s talk about the music & the lil` ''enhancements'' that I made to the album shall we? First off there wasn`t a whole lot of room to include much in the likes of extras, actually I was only able to add one whole track to the album since it`s just under 75 minutes in length originally. So I chose to add the "It Might Sound Crazy [Rmx]" which features the legendary Too $hort just like the original version. I was going to add the track titled "Pimp City" that was originally included as a bonus cut on both the vinyl & cassette versions of this album, but decided against it even though the track is a banger. For those interested in it though it`s produced by Soopafly & he`s also featured on the song. It later went on to appear on Soopafly`s debut album titled "Dat Whoopty Whoop"...


As for the other adjustments that I made to this album they`re more on the minimal side of things when compared to the other albums that I gave the HeRBaN DeLuXe VeRSioN treatment to. Nonetheless some changes were made, the main one being that I took the Intro that was attached to the album`s opening song "Gang Bangin` Ass Criminal" & made it it`s own track (the first one of course). Not sure why the album`s Intro was tacked on to the beginning of the first song anyway, I feel that it`s a stupid idea. I`m sure plenty of folks just ended up skipping over the opening song because of the long~ass Intro, it`s over 2 minutes in length. It`s a DaMn shame too because "Gang Bangin` Ass Criminal" is one of the album`s better songs. So on this version of the album the Intro gets it`s own track so the listeners can get to the opening song without any delay...


"It`s Going Down" features Daz`s partner in rhyme Kurupt as well as the late Prince Ital Joe spittin` bars over a nice thumpin` beat, definitely a trunk thumper! On the funky & smooth`D out "Playa Partners" Daz invites B-Legit & Bo-Rock (of Dove Shack fame) to contribute to this braggadocio track, the end result is a pretty enjoyable listen. On "It Might Sound Crazy", the pimpish collabo` with Too $hort I made some small adjustments to the track`s opening & ending (volume~wise). This way you get to hear the lil` convo` Daz & Soopafly have at the beginning of the song about their feelings on bitches & also the closing bitch clownin` that Daz does at the song`s ending, CLaSSiC material indeed."Our Daily Bread" is another collabo` that features Kurupt & Prince Ital Joe. The beat, at least to me sounds kind of like "If We All Fucc" from the Dogg Pound`s debut album "Dogg Food". The song`s vibe however isn`t sexual at all, more on the G`d up tip as the gun shots at the beginning of the song indicate...





"In California" is one of the album`s singles & it features Val "Lady V" Young singing on the hook. It has a nice lil` G-Funk vibe to it, showin` Cali some love with it`s catchy chorus. For me it`s the perfect Summer time type of joint. "Initiated" is a Dogg Pound, 2Pac & the Outlawz collabo`, or "Thug Pound" as `Pac puts it....LoL, this joint was obviously recorded before `Pac's passing seeing as how he shouts out both the Pound & the Outlawz in the track`s opening seconds. The beat on this joint bangs hard & helps to make it another one of the album`s stand~out tracks. "Oh No" featuring J-Money & Tray Deee is really nothing super spectacular. The beat`s dark & thumps pretty hard while the hook may have ya thinking of that Nate Dogg, Mos Def & Pharoahe Monch joint with the same title, but verse~wise there`s nothing to really talk about...


On the album`s title track "Retaliation, Revenge & Get Back" I made some small volume adjustments to it`s opening so you can really hear Daz taking one of them "$20 pulls".....LoL, the track itself is the only solo song that Daz has on this entire album. The beat definitely meshes well with his vocals, only thing that I don`t understand is who he`s referring to on the track. Who is he out to get revenge on? Those that left the Row during that time period? I`m just a lil` curious. Next up is "O.G.", a collabo` with Snoop & the late great king of hooks Nate Dogg. The beat`s got a nice smooth`D out vibe to it that`s a perfect backdrop to compliment Nate`s singin` on the song. I wonder how Daz was able to slip this joint onto the album seeing as how Snoop wasn`t affiliated with Death Row at the time of this release???


"Baby Mama Drama" tackles the subject of child support, kids & the always lovely baby mama stresses, the song features both Big & Lil` C-Style. It`s not a bad track, but it`s not one of the album`s strongest either. Daz follows the drama up with a love song.....LoL, not the greatest of transitions but that`s not really what`s funny. I just find it comical that Daz takes the time to drop a joint that professes his love for a woman without spittin` any cuss words until he gets to the end of the song & yells "Beeyatch!" Val "Lady V" Young & Big Pimpin` Delemond make appearances on "Only For U". On "Ridin` High" I made some small volume adjustments to the opening seconds of the song, just so you could really hear Daz`s shit talkin`, this song features WC & C.J. Mack. Dub & Daz have a good chemistry together, I guess that`s why they ended up workin` on that DoPe collabo` album together...


The opening seconds of "The Ultimate Come Up" received a lil` volume adjustment, just wanted to boost the levels a bit so we could really hear it. As for the song itself, it`s alright I kind of expected it to be a lil` iLLeR than it is though since both MC Eiht & Bad Azz are featured on it. All three artists deliver some so~so verses, but nothing quote worthy. On "Thank God For My Life" Daz gives a shot at spittin` an inspirational track that sort of makes for an awkward listen. Maybe it`s just his singin` on the hook that ruins it for me....LoL, anyway the song also features Tray Deee, Soopafly, Big Pimpin` Delemond & Bad Azz. The Outro "Why Do We Bang?" has Daz just giving some shout outs to his homies & also has him talkin` some shit as well. He doesn`t really elaborate too much on the answer for the question at hand, but whatever it`s an outro that you`ll probably hear once & then you`re good. That`s where the original album would have ended, but I added an extra joint for your listening pleasure & that track is the "It Might Sound Crazy [Rmx]". Again it features Too $hort & a different beat with more of an R&B type of vibe to it, gone are the adlibs of the chick thru~out the song & also the cussin`. It seems like it`s more of a radio version than an actual remix, but it`s still enjoyable none~the~less... 




So there you have it y`all, peep the album...





Label: Death Row Records
Released: 1998-2014


 
 1. Gang Meeting [Intro] {ft. Tray Deee, Ty Cuzz, Bad A$$ & Technique}
2. Gang Bangin` Ass Criminal {ft. Tha Gang, Kurupt & Technique}
3. It`s Going Down {ft. Kurupt & Prince Ital Joe}
4. Playa Partners {ft. B-Legit & Bo-Roc}
 5. It Might Sound Crazy {ft. Too $hort}
 6. Our Daily Bread {ft. Kurupt & Prince Ital Joe}
7. In California {ft. Lady V}
8. Initiated {ft. 2Pac, Outlawz & Kurupt}
9. Oh No {ft. Tha Gang, Tray Deee & J-Money}
10. Retaliation, Revenge & Get Back
11. O.G. {ft. Snoop Dogg & Nate Dogg}
12. Baby Mama Drama {ft. Tha Gang, Big C-Style & Lil` C-Style}
 13. Only For U {ft. Lady V & Big Pimpin`}
14. Ridin` High {ft. WC & C.J. Mac}
15. The Ultimate Come Up {ft. Bad A$$ & MC Eiht}
16. Thank God For My Life {ft. Tha Gang, Tray Deee, Soopafly, Bad A$$ & Big Pimpin`}
17. Why Do We Bang? [Outro]
 18. It Might Sound Crazy [Rmx] {ft. Too $hort}












N`JoY...